Time for another Michael Moore documentary. Time for more public domain filmstrips, more depressing stories of the working class, and more beating of the dead horse known as Flint, Michigan. In the past this formula has worked, and worked well enough to garner Moore fame at the forefront of documentarians (at least of the commercial documentarians). However, with Capitalism: A Love Story, even hitting all of his major arcs, the foolproof equation doesn’t add up.